Eversolo DMP-A6 Review (2026): Still the King of Visual Streaming?

For those in a rush, here is the TL;DR from my time with the unit this year.

The Good:

• The Screen: Still the best-in-class 6-inch LCD touchscreen interface at this price point.

• App Integration: Native Apple Music support (thanks to Android) allows for Hi-Res lossless playback directly on the device, a rarity even in 2026.

• Versatility: Works flawlessly as a standalone DAC, a pure transport, or a preamp.

• Storage: The internal M.2 NVMe SSD slot makes it a powerful local music server.

The Bad:

• Remote: The physical remote is often an optional purchase (depending on the retailer), though the app is excellent.

• Sound Signature: The ESS Sabre implementation is incredibly clean but leans towards analytical; tube-lovers might find it slightly clinical without EQ.

Best For: Visual listeners who love album art, Apple Music subscribers, and those with large local digital libraries.

In a world of black boxes that are meant to be hidden away, the Eversolo DMP-A6 begs to be seen. As an audio engineer, I usually care about what's inside the chassis, but I have to admit: the aesthetics here matter.

The chassis is machined from solid aerospace aluminum. It feels cold, dense, and premium to the touch. There is no flex, no rattling. But the star of the show is the 6-inch high-definition LCD touchscreen. Even compared to the latest 2026 tablets, this screen is crisp, with excellent viewing angles.

The VU Meter Appeal

One of the features that keeps users coming back is the virtual VU meters. While they are purely digital simulations, they add a layer of vintage warmth and visual feedback to the listening experience. Watching those needles bounce in time to a FLAC rip of Dark Side of the Moon connects the digital convenience of 2026 with the analog nostalgia of the 1970s.

Rear Connectivity

The back panel is where the A6 shows its versatility as a DAC streamer combo.

• Analog Outputs: Full balanced XLR and single-ended RCA.

• Digital Inputs: USB-C (for connecting a PC/Mac), Optical, and Coaxial.

• Digital Outputs: If you want to use the A6 purely as a transport, you have USB, Optical, Coaxial, and HDMI IIS (I2S) outputs.

• Network: Gigabit Ethernet and Wi-Fi 6 antennas.

It is worth noting the inclusion of HDMI output for DSD multi-channel audio—a niche feature, but critical for those with specific AV receiver setups.

Let's talk specs, but let's talk about them like engineers. The heart of the Eversolo DMP-A6 utilizes two ESS ES9038Q2M DAC chips. This is a dual-mono configuration, meaning one chip handles the left channel and one handles the right.

In my testing, this separation drastically reduces crosstalk and improves the signal-to-noise ratio. The background is pitch black. When no music is playing, even with my ear against the tweeter of my reference monitors, there is zero hiss.

The EOS Engine

Here is the technical highlight: Android usually messes with audio. The standard Android audio mixer resamples everything to 48kHz, which defeats the purpose of high-res audio. Eversolo developed the EOS (Eversolo Original Sampling-rate) Audio Engine.

This bypasses the Android SRC (Sample Rate Conversion) completely. Whether you are using the internal player, Apple Music, or Tidal, the A6 outputs the original sampling rate bit-perfectly to the DAC. In 2026, this is less rare than it used to be, but Eversolo's implementation remains rock-solid reliable.

The biggest pain point with network streamers is almost always the app. You can have the best DAC chip in the world, but if the app crashes every time you try to skip a track, the device is useless.

The DMP-A6 runs a heavily customized version of Android. Because of this, you can actually sideload APKs (Android apps). This is massive for Apple Music users. Most streamers only support Apple Music via AirPlay 2, which compresses the audio. On the A6, you open the native Apple Music app right on the screen, logging in directly for bit-perfect, lossless playback.

The Control App

The mobile companion app (Eversolo Control) basically mirrors the device's screen on your phone. It is responsive and intuitive. However, compared to the maturity of the BluOS ecosystem or the simplicity of WiiM Home, the Eversolo interface can feel a bit 'busy' because it offers so many options. It is a tinkerer's paradise, but might be overwhelming for a complete novice.

How does it actually sound? To test this, I hooked the DMP-A6 up via XLR cables to my reference integrated amplifier, bypassing the amp's internal DAC.

The sound signature of the A6 is best described as transparent, fast, and analytical.

• High Frequencies: Crisp and extended. Cymbals have plenty of air without sounding harsh.

• Midrange: Vocals are forward and incredibly intelligible. You hear every breath and lip smack.

• Bass: Tight and controlled. It doesn't add artificial warmth or 'bloat' to the low end.

If you have a system that is already very bright (perhaps using Klipsch horns or focal tweeters), the A6 might feel a bit too revealing. However, if you are looking to add detail and separation to a warmer, vintage system, this streamer is the perfect corrective lens.

As a Transport

I also tested the A6 purely as a transport, sending digital data out via USB to an external R-2R DAC. The signal integrity is flawless. If you decide to upgrade your DAC down the line, the A6 remains a fantastic streamer transport thanks to its clean, low-jitter digital outputs.

It is not 2024 anymore, and the A6 has stiff competition.

Eversolo DMP-A6 vs. WiiM Ultra The WiiM Ultra is the aggressive challenger. It is cheaper and also features a screen. However, the A6's screen is larger and higher resolution. The build quality on the Eversolo is also significantly heavier and more premium. The WiiM is great for the budget-conscious, but the A6 feels like true Hi-Fi furniture.

Eversolo DMP-A6 vs. Cambridge Audio CXN100 The Cambridge unit offers the signature 'British Sound'—warmer, punchier, and more rhythmic out of the box. However, the CXN100 lacks the open Android architecture. You cannot install 3rd party apps directly onto the Cambridge. If you live inside Apple Music or specialized Android apps, the Eversolo wins.

Eversolo DMP-A6 vs. DMP-A8 The A8 is the flagship big brother. It adds an analog preamp with R2R volume control and AKM DAC chips (which sound warmer). Is the A8 better? Yes. Is it twice the price better? For most people, no. The A6 remains the value sweet spot.

Two years after its debut, the Eversolo DMP-A6 has transitioned from a 'hype product' to a standard-bearer. It offers a unique combination of visual flair, software flexibility (thanks to Android), and audiophile-grade internals that is still hard to beat in 2026.

Buy the Eversolo DMP-A6 if:

• You want a streamer that looks as good as it sounds, with high-res album art on display.

• You subscribe to Apple Music and want true Hi-Res lossless integration.

• You have a large library of local files and want to utilize the internal NVMe SSD slot.

Skip it if:

• You hide your gear in a cabinet (you're paying for the screen, use it!).

• You prefer a very warm, tube-like sound signature out of the box (unless you plan to use an external DAC).

If you are ready to modernize your system, this box is a powerhouse.